In Backrooms disability is explicitly acknowledged in a scene (that’s right, everyone clap!!!) so naturally I had to cover it on this blog. This is a fairly informal review that merely focuses on the film through the lens of disability, so it is fairly incomplete; it doesn’t cover all the other themes in the movie and leaves plenty out. I’ve read some great breakdowns of the film from a racial lens as well. For those not in the know, Backrooms is a horror film about liminal spaces, the inbetween, and the malleability of memory (especially in regards to trauma).
One could argue the entire backrooms concept is disability-centric given its focus on the degradation and fallibility of memory. There’s also a good ol’ tried-and-true “the monster is trauma” trope thing going on- a trend that has been molesting horror as of late. Madness, mental illness, PTSD is disability, so this should excite me! Unfortunately, this trope is almost never executed well. Surprisingly, though, the aloud mention of disability in this movie has nothing to do with dementia or PTSD (unless I missed some dialogue which is possible), nor the therapy scenes. It is when Clark mentions a man in a wheelchair who just looks slightly off.
When we see aforementioned wheelchair using king he has exagerrated asymmetrical eyes. As Clark explains that the people in the backrooms are slightly off, misremembered, and left squarely in the uncanny valley there is an implication that this wheelchair user is not scary because of his chair/disability, but because of his facial difference making him off-human. It’s an attempt at an almost anti-ableist message, or at least masquerading as one. “This guy is scary, but not because of the wheelchair!” But it’s hypocrisy. And that stood out to me.
People with facial differences and disfigurements exist. There are people with genetic conditions that results in the eyes being asymmetrically placed on the face (for a topical example). Because these conditions are fairly rare (and often result in other impairments considered more significant, the appearance an afterthought) and many disfigurements are the result of tragic accidents, facial differences are often overlooked in disability circles and discussions. This oversight is pretty common but bullshit nonetheless. Perhaps these are not disabilities if we are talking about the medical model, but they certainly are under the social model of disability.
The writers attempted to affirm one disabled group while punching down on another and it just so happens this lines up perfectly with the hierarchy of disability. This is a concept in disability studies circles in which some disabilities are more or less stigmatized than others, with physical disabilities usually at the top of the hierarchy, disabilities such as deafblindness in the middle tier, and more profound intellectual disabilities at the bottom. I’d argue that facial differences and disfigurements are in the middle tier of the hierarchy, and this movie scene is a great demonstration of that. The wheelchair is normalized whereas the facial difference is othered and stigmatized. This scene is a perfect little teaching tool.
Or the writers didn’t have any intentions with disability at all and that man was in a wheelchair for shits and giggles. Who knows?
Anyway. This film brings up the concept of the “uncanny valley”, the area of proximity to (and I cannot stress this qualifier enough) normative ideas of humanity that rests in the creepy space between one of us and a perceived other. The uncanny valley is one of the psycho-sociological roots of ableism and I’d love to explore their fraught relationship more. Ableism, I believe, is more than just a socially learned bigotry like racism- there unfortunately are biological roots for it as part of our survival. Ableism is a vestigial survival tactic that is now completely obsolete as we have the science and know-how to prevent contagion and disease. I’ll have to write a whole essay on this later.




